28 Oct 2017


Cast: Chris Hemsworth, Tom Hiddleston, Cate Blanchett, Mark Ruffalo, Jeff Goldblum, Tessa Thompson, Idris Elba, Anthony Hopkins, Karl Urban
Director: Taika Waititi
Runtime: 130 minutes
Certificate: 12A
Release Date: 24th October 2017 (UK)/3rd November (USA)

James R: One of the great things about comics is how a creative team can bring a new spin and a new take on a character - their interpretation can bring vibrancy to a title you thought you knew. The same is proving to be true in the Marvel Cinematic Universe - Kevin Feige et al are doing a fine job in bringing in creative talent that keeps a now sprawling movie universe fresh - and in this case - very funny.

I had high hopes for Ragnarok as I'm a huge fan of director Taika Waititi - his vampire mockumentary What We Do In The Shadows is one of my favourite movies of the last ten years - and along with prodigious comedy chops, he has a great understanding of how to pull on an audience's heartstrings. From its opening scene Ragnarok is clearly Waititi's baby; unlike the tepid Thor: The Dark World, this is movie that's totally fun to watch.

The cast were clearly enjoying it too. Chris Hemsworth, finally being allowed to tap into his comedic tendencies, spoofs himself wonderfully - it's almost impossible to believe that this is the same character who he first portrayed back in 2011. He's not afraid to make the God of Thunder seem more human than ever, and he's far more relatable as a result. It's also a joy to see Mark Ruffalo as the Hulk and Bruce Banner (this is definitely the closest we've come to seeing the 'comics Hulk' too - his childlike demeanour is spot on) and the two leads alone are worth the price of admittance.
It's remarkable to see the confidence of Marvel Studios now - 15 years ago, any film that was a sequel or continuation would require at least some narrative element that revisited the original. Marvel have now moved so far beyond this model; knowing that they have a core audience means that callbacks to several other movies and appearances from other characters (without having to explain who they are) is now the norm. You can see this in a rapid-fire opening 20 minutes, which calls back to the Avengers movies, and throws in a great couple of scenes for Benedict Cumberbatch's Doctor Strange. (There's also a nod to one of the most fondly-remembered Walt Simonson comics plots - the Throg issues!)

The cast of the film is very much is its strength. Alongside the protagonists, the support is phenomenal - Tom Hiddleston gets to enjoy himself as Loki as much as Hemsworth does as Thor. Their scenes together were always the strongest elements of the previous Asgard films, and Waititi (along with scriptwriters Eric Pearson, Craig Kyle and Christopher Yost) are right to give the feuding brothers more screentime than ever before. Jeff Goldblum is simply Jeff Goldblum, and that's a great thing - I loved his take on the Grandmaster, and I hope we haven't seen the last of him in the MCU.

Kudos to Waititi too for the aesthetic of the movie - a number of the designs on Sakaar are pure Jack Kirby, and it's a fitting tribute in the year of the centenary celebrations for the King that his vision seems so vibrant and alive. There are also hints of the great SF artist Chris Foss in a number of the ship designs we see in the movie, and that adds up to a treat for the eyes.
Can this be called a classic though? Not quite. Even though I'm aware I'm not reviewing a film that's going to be shortlisted for the Best Picture Oscar, I still feel that the plot is pretty formulaic - I can appreciate it's tough to do anything radically different or new in a superhero film, but both Hela's occupation of Asgard and Thor's attempt to get home are pretty by-the-numbers. Speaking of Hela, Cate Blanchett does a fine job as the Goddess of Death, but in indulging the story of Thor and Hulk on Sakaar for so long, she given very little time to shine, or for us to really invest in her. The movie also does away with a number of characters from the Thor movies in an almost derisory manner (and simply ignores Jamie Alexander's Sif, one of the best things about the previous two Thor movies.)

In total, Thor: Ragnarok is popcorn movie in every sense of the word: it's moreish, it tastes really good, but it left me feeling a little empty. I often judge truly great films on how quickly I want to see them again - as much as I enjoyed Ragnarok, I didn't feel the need to book in for a repeat visit after the final post-credits scene. Should you go and see Thor: Ragnarok? Definitely - it's the most I've laughed in the cinema this year, and in a pretty bleak year, I'm pleased there's a movie that represents escapism in its purest form. It's not quite up to the gold standard of the Captain America movies, but it's a vibrant technicolour ride. 8/10

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